He could see Loki clearest while under the thrall. Can still yet see him, through the lingering, pervasive remnants of their unholy connection, but not nearly to the same extent. To have seen the driving forces behind Loki, back what feels like a lifetime ago, wasn't anything special to him; it seemed downright obvious. Now his vision, sharp as ever, can't always see the shapes that Loki's consciousness forms, the things that he wears just under the skin. Can't pull them out even when cut.
But there are things he can see. And it's so hard to figure out what to do with it all, because he shouldn't have it, doesn't want it, should not be allowed.
Loki doesn't close his eyes to this, and so neither does Clint, not even when he kisses, bites. Not when the building pressure of pleasure in him starts winning out over everything. Is this where Loki belongs? Eternally under someone, desperate to please, and just as desperate to be punished for not pleasing? Desperation drives a lot of what Loki does, is, and maybe it's feedback that drives Clint desperate in ways he finds hard to define. Goads him, baits him, until he feels that there aren't any choices left to him.
Easy to blame him for everything, in spite of knowing that's a lie his mind clings to. Desperately.
Loki won't last long. In every sense. Clint watches him, feels him, the only real thing in this world of unreality, the only thing worth focusing on. Not the breeze from the windows, and not the sheets staining with violence and effort, and not even the hunt. All just parts of a story. He watches, and he feels, and when he thinks there is a rising peak coming, or an edge to hurtle over, that's when he presses the blade in, pulls it neatly across.
Part of Loki is pleased and honored to have deserved a (relatively) clean death. A steady blade, an almost quick release from existence. Painful, yes, but what isn't? The rest of him is too busy dying in the first place, gasping for air that doesn't come, the sense of overwhelm that comes from an intense orgasm colliding into rapid blood loss. His body tenses and doesn't stop tensing. He feels faint; this, too, doesn't improve.
He tries to say something, to grant Clint his thanks, his absolution, but there are no words, no air for them, and his throat is ruined besides.
He smiles. His fingers trail down Clint's arm. Clint is the last thing he sees.
Loki exists, physically, in the dream for a moment. The real in the unreal. And then the god, too, becomes unreal, so much dust in green and glittering gold.
For the next day the connection between them lies dormant, existing but unresponsive, a door that may or may not exist. Something that was once a door, definitely, that now leads to nothingness. It doesn't flare to life again until Clint falls asleep the following night, but there is no god walking his dreams then, either, only a sense of something where there was nearly nothing for a while.
When Clint next wakes it is reformed, reforged. A window, perhaps, or a doorway in which the only real barrier that exists is merely a flimsy bit of fabric. Nothing that can be locked, or slammed.
no subject
But there are things he can see. And it's so hard to figure out what to do with it all, because he shouldn't have it, doesn't want it, should not be allowed.
Loki doesn't close his eyes to this, and so neither does Clint, not even when he kisses, bites. Not when the building pressure of pleasure in him starts winning out over everything. Is this where Loki belongs? Eternally under someone, desperate to please, and just as desperate to be punished for not pleasing? Desperation drives a lot of what Loki does, is, and maybe it's feedback that drives Clint desperate in ways he finds hard to define. Goads him, baits him, until he feels that there aren't any choices left to him.
Easy to blame him for everything, in spite of knowing that's a lie his mind clings to. Desperately.
Loki won't last long. In every sense. Clint watches him, feels him, the only real thing in this world of unreality, the only thing worth focusing on. Not the breeze from the windows, and not the sheets staining with violence and effort, and not even the hunt. All just parts of a story. He watches, and he feels, and when he thinks there is a rising peak coming, or an edge to hurtle over, that's when he presses the blade in, pulls it neatly across.
no subject
He tries to say something, to grant Clint his thanks, his absolution, but there are no words, no air for them, and his throat is ruined besides.
He smiles. His fingers trail down Clint's arm. Clint is the last thing he sees.
Loki exists, physically, in the dream for a moment. The real in the unreal. And then the god, too, becomes unreal, so much dust in green and glittering gold.
For the next day the connection between them lies dormant, existing but unresponsive, a door that may or may not exist. Something that was once a door, definitely, that now leads to nothingness. It doesn't flare to life again until Clint falls asleep the following night, but there is no god walking his dreams then, either, only a sense of something where there was nearly nothing for a while.
When Clint next wakes it is reformed, reforged. A window, perhaps, or a doorway in which the only real barrier that exists is merely a flimsy bit of fabric. Nothing that can be locked, or slammed.