brandingproblem | open post

Steve is good at sitting still and using what amount to simple meditative techniques (not that he knows that) and external focal points to keep his brain from running away with him -- and/or just repress and keep a lid on himself, depending. This, at least, was the former.

He lets go of Clint the second he moves, and waits for him to sit up before he actually moves himself. Even then it's just to reach back and push (in a controlled way) against the headboard and stretch his back out. He gives an inelegant but satisfied grunt when his spine cracks between his shoulder blades and then rolls onto his side.

If he has any problem letting the moment end or is shaken by the moment having happened it doesn't show, though he doesn't bother to sit up or get up.

"Just fine. Thinking it's gonna be a quiet evening and day tomorrow, but I might actually get that sketch finished in the meanwhile. Or start something new. Might wander out and buy crayons to entertain myself with." What? Not like he's got weapon maintenance to do. Also not complaining about it.

"I'm gonna do some last minute recon." Like, right now, immediately, once he pulls his shoes on and his hoodie and all that good stuff. So give him a minute here. It might look more like running away, and maybe it's a little bit that. A smidge of that.

But he does look at Steve first. "If you...still wanna share space, we could try and share the bed. Could big spoon you. If you want held in return." Or if Clint wants to do some holding. He might want that. But asking for things is hard enough; apparently asking for the petting really took it out of him. "Or if you just wanna stay up and draw or...whatever. Let me know."

Clint's running away and Steve is... not as bothered by it as he could be. Afraid Clint's going to get into some manner of trouble? Sure. Worried Clint's not going to come back? No, albeit primarily currently for reasons amounting to all of Clint's stuff being here.

Besides, he at least sort of gets it. He's introducing all sorts of complications and conflict here. He isn't sorry for it, but he does recognize it. Clint can't do what he's been doing and be just a weapon or just furious and violent with Steve here, and especially not with what they've been doing.

"I'll be here when you get back," he says, sitting up slowly on the edge of the bed. There is a flicker of pure, uncomplicated confusion at the suggestion that he might want to be held - overt in the same way somebody speaking a foreign language he doesn't understand would be - but it doesn't hang around too long. "And I'm good with sharing the bed and you being the big spoon for a while." Whether he'll sleep or not, how long, if he'll stay down for the night, he doesn't know. He's not turning down Clint breathing at his back though.

The comfort clears his head, and now he has to clear his head from clearing his head. That doesn't make sense, does it? But it's how Clint feels in a way that he would be hard pressed at best to put into words.

The confusion makes him hesitate. Like he's done something wrong. Screwed something up again. But there's nothing behind it, just...a little confused. God, join the club.

"Okay. We'll see how I'm feeling. Later. Before bed." Sound more uncertain, why don't you. "Won't be too long. I'll try not to be anyway."

Nope, nothing behind the confusion that's more complicated than confusion and maybe a little surprised that anyone offering it to him.

That one's a desire that he's long since put away. The idea of maybe getting it for a little bit? That's a little overwhelming, but he sure as hell isn't going to turn it down.

"That works." He gets up when Clint moves to the door, but all he actually does is grab his sketchbook and settle down at the table with it. Actually ends up doing some stylized 'brand logo' stuff. Army. SHIELD. Hydra. Avengers. Lots of stars and stripes and irony.

It kills time.

Clint flashes a little bit of something that's like a smile, there and gone, apologetic, and then is out the door.

He does do exactly what he set out to do: he takes another good walk around the area, makes sure nothing has changed. Gets a couple brief vantage points on rooftops. Wanders by a few of the local bars where some of the members in question hang out, in case there are loose lips about plan changes, but as far as he can tell, nothing is amiss and tomorrow should go off without a hitch.

He does stay out a little longer when his recon is done. Do a little running and jumping, some parkour. Exhausted and energetic at the same time, fresh air to knock some kind of sense into him.

It's better, calmer, the ruckus inside his chest and rattling under the floorboards of his skull, when he comes back.

"You ever draw people?"

Hi to you, too.

"Welcome back," he says, with some amusement and 0 offense or mockery.

Then just answers the question, mostly by flipping the book back all the way to the first page. Because that's the safe one. There's no one Clint will recognize from outside a history book or museum, probably. Not even as a close family resemblance.

There are those pictures in that book and he... isn't subjecting Clint to them.

It's Peggy. Done in regular old pencil but done well and not a recreation of a photo. Mostly because even in pencil and shading he's gotten some warmth into her eyes and a smile on her face.

"Yeah. Sometimes."

"Man," a little breathlessly. "I mean, I've been to your part of the museum before. But they don't exactly talk about your art there."

Of course he's been there. Who hasn't been there? Until relatively recently, Captain America was practically a myth in his own right.

"Everything's still looking good to go. I'm trusting you to stay out of sight. I'll do my thing. And then we go from there." Just as an update. He shoves the hood off his head, ruffling up his hair when he does so. "Sorry to leave you bored, but at least you've got that. The art."

"That display isn't me. That's a Captain America exhibit. Too bad I woke up and spoiled the fantasy."

Which is... actually a thing he feels bad about. Inferiority complex when compared to himself? Yeah, actually, at least the ideal that's not really him. Something about Tony and bottles that was just verification but is never going to leave his head.

"Not sure if I wanna reassure you by telling you I'm good at being bored, or that I wasn't bored. Both are true." He shrugs and closes the cover, sticks the pencil into the spiral binding and pushes it away from him.

"Nothing's changed on my end or with my intentions. I'll be out of sight and out of the way unless something's going way south. At that points, all bets are off. I don't see that happening."

"The real thing's better." And he means it. The ideal of Captain America doesn't hold a candle to Steve actual Rogers, flesh and blood human being.

He reaches out a hand, laying it flat on the cover, but he doesn't pull it toward him, doesn't open it up. People obviously get sensitive about the personal stuff. His fingers drum a moment. "You wanna show me anything else? Promise I won't laugh."

The real guy 'let' half of life on earth get turned into dust and Clint might not blame him - but Tony does, and so does Steve. He gives Clint a faint, appreciative, smile anyway.

"You can look through it if you want. There are some more portraits in there, including the team and Sam, but I don't think there's anything in there so personal it'd bother me or... so close to you that it'd be a problem. Or you can work backward if you want to skip those and stick with landscapes, logos and cartoons."

Basically the further out this is, the less cohesive the art gets.

There are portraits in there. Howard. Bucky from before even the War. Nat and Clint. Tony and Banner. Sam and Bucky. Thor. Most of them from how he remembers and sees them most strongly. Meaning from the period they were living in Avenger's Tower and things were okay. Movie nights and parties, not... fighting and conflict.

"Maybe this is what you should do instead of," shrugs, "any of this. Be an artist. Fill commissions. Get put up in galleries." He flips through pages studiously, genuinely interested. He's never been an artist himself, doesn't really know shit about it, but he can tell it's good.

"I can't believe there was a time when all this shit was simpler," he says, thumbing a page with Thor's grinning face like he might shine right through the paper.

Steve is barely aware that he's doing it, but lately the more he feels like he is in danger of breaking down or just feeling a particular heavy ache in his chest that comes pretty close to being the physical representation of heartbreak...

He quirks one corner of his mouth up in a smile. One meant to reassure whoever he's talking to that he's okay. Because he's ok.

He does that now. "Maybe. Might be able to ride on Captain America and advertise to collectors or sell those off. The further you get, the more it... devolves. It's still technically decent but it stops being art somewhere around the Accords and keeps going downhill until it's basically stock images and clip art. No one wants to look at what's in my head, including me."

That's a look that Steve gets, and Clint just stares at him for a few long moments. Something about it seems flat. But if Steve's going to insist the rest of it is crap, Clint will flip to that specific section, the newer stuff, less people, less cityscapes. Devolving into flat shapes.

"Graphic designer," he says. "Businesses still need ads and logos and shit. But you've still got it in you; I saw you were sketching the view out the window, before, or trying to."

"I will eventually finish that one. Might be once I'm back in the States, but it'll be interesting to see if I can get it on paper in a way I like. Try animals." He shrugs. He doesn't know. But: "Graphic design's not a bad idea. I almost went that direction before I enlisted."

He... might even actually do it, although mostly to give himself something to fill time and reassure people that he's okay.

"You could sketch me if you want a living model. Maybe it'll help get you out of this creative funk or something. Dunno, I've never been artsy that way." Another shrug as he reaches the end to flip through, and slides the book back at Steve. "Or whatever might help you feel better."

"I will absolutely draw you, now." There is a picture of Clint in there, from years ago. "But even if the result makes you uncomfortable, I get to keep it."

Because... well, he cares. Specifically about Clint. and he doesn't want Clint lighting his own face on fire because that shows.

"It's your art. For you. Unless you sell it to a collection or a museum or something. Then I feel like you owe some of us money."

Clint tips his head, curious. "You weren't having us pose or anything. Were you just drawing us while we were hanging out? You don't do like...traditional sit there and keep the same pose for a couple hours portraits."

"Nah. I probably would have needed that or something like a photograph to work from before the serum." He flips his book open to the back page, and retrieves the pencil. Pivots the open page faces him and sketches out a crude map, but a damn accurate one. "That's a map I saw in a hydra base in 1944. Serum changed how my mind and memory work, too."

Edited 2024-11-19 20:40 (UTC)

Clint's brows knit together, leaning over the map. He's a little incredulous, actually, when he looks back up at Steve. "Dude." Because that's incredible. "I didn't know you had photo memory. That's amazing."

That incredulity and... enthusiasm is more than enough for Steve to not give a single shit about his own mixed feelings on the subject. Hell, it makes him grin outright in a way that is pretty sincere. "I guess I didn't realize it hadn't come up. No need to model. Do whatever you feel like with the evening. I've got a picture in my head I can work from now."

Hell, he wants to get it on paper and that... is a good feeling. Enough to have him pulling the book back open and finding a clean page to start.

"I mean, maybe casually it came up? But not like-" with a motion to the map. And the art! He's just doing that shit from memory!

"God, right, uh. I'm gonna try not being self-conscious now. Gonna just...exist." Clint gives a little laugh. "Don't usually do this part with company. Or any of it, the lead-up to the mission. Gets boring sometimes. Probably just gonna do some research." There are always more targets, after all. Global operations. "Just let me know if you need anything, I guess."

The memory thing has some downsides, it came 'out of a bottle' rather than having anything to do with him, Steve's bad at any kind of attention on that stuff, and....

Right now, he doesn't care at all and none of it matters, because it's Clint and Clint might just be more present and relaxed than Steve's seen him since everything went to hell. That is a beautiful, beautiful thing.

"I can move to the bed if you need the table again. Might have to physically poke me to get my attention once I'm going, but it's not a problem." Hell, he's already getting some pale, sketched out lines onto paper, that will disappear into the finished product.

"Nah, I think we're good. I can be comfy anywhere." Given all the places he's had to spend copious amounts of time in, small spaces, uncomfortable positions, he means it.

He pulls out a laptop from his gear and settles himself back on the bed, cross-legged like when he was doodling his own map. "Don't be surprised if I end up watching over your shoulder at some point, though." Not anytime soon, probably. He's distinctly aware of Steve, taking up his allowed space, drawing Clint. But he can compartmentalize and focus on trawling the dark web, perusing known digital hangouts of tech savvy mobs, and checking up on any of his trackers. He can let them lapse into a somewhat comfortable silence, save for the light tapping of keys and the whisper of pencil on paper.

Steve resolutely refuses to consider the amount of leg flexibility and strength to pull off some of the positions he's seen Clint stay in for extended periods of time. He's not drawing that, dammit, and he doesn't want that level of distraction.

It's actually not a real issue. Once Clint settles to work, so does Steve and his focus on it turns pretty complete. His position shifts here and there - leaned over the table, head propped in his hand, leaned back in his chair with one knee braced up by the table and sketchbook against his upraised thigh, whatever - but he doesn't actually stop.

What he's drawing really is Clint. Clint as he is now, complete with incomplete tattoo on one arm, slightly too long hair, faint lines around his eyes, even the bruising on his face, but... that exact moment he got excited about Steve's memory or art or whatever it was. Not... shut off and cold but that moment of life he'd had. Getting that into a set of eyes in grayscale and pencil is by far what takes the most time and is also the last thing he does and finishes.

And Clint's confused Steve cares about him as a person. ...that picture would look very different, if Steve didn't.

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject

no subject